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Crónica de Metalcry sobre el concierto de Ereb Altor

bass guitar, ereb altor, festival, live, press, review

EREB ALTOR y UNDEAD brillan como potentes teloneros antes del ritual sonoro de PRIMORDIAL en Madrid

Los suecos EREB ALTOR llevan más de dos décadas aportándonos tradición épica escandinava de mitología nórdica en su expresión musical. Presentaron también su último trabajo Hälsingemörker y la incorporación esa noche de uno de nuestros grandes músicos, Oscar Martín (Nightmarer), involucrado en bandas como As Light Dies o Dødheimsgard. Sonaron ¨Valkyrian Fate¨, ¨Queen Of All Seas¨, ¨Vi är mörkret¨, ¨Midsommarblot¨, la hermosa ¨Fenris¨, ¨Prepare for war¨, ¨En synd svart som sot¨ y cerrando show para tristeza de muchos ¨The Last Step¨. Himnos bien ejecutados de cantos épicos limpios de Mats Crister Olsson, entre riffs de metal acompañados de una potente batería manteniendo durante todo su set bastante buen sonido… a muchos se les hizo corto.
Gema Martín Metalcry

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Crónica de Rockculture sobre el concierto de Ereb Altor

bass guitar, ereb altor, festival, live, press, review
"La presencia de un invitado especial al bajo, Óscar Martín, veterano del metal extremo europeo y conocido en nuestra península por sus proyectos As Light Dies, Garth Arum, Aegrisomnia o ASCIIIMOV aportó una base aún más solida a su directo reforzando la sensación de viaje".
Alejandro Gonzalez Lopez Rockculture

Crónica | Primordial, Ereb Altor y Undead en Madrid: «Una fecha que dejó claro que el metal extremo, cuando se toma en serio, no necesita artificios para imponer respeto.»

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Ereb Altor show

bass guitar, ereb altor, festival, live
This weekend has been truly special because I’ve finally gotten to really know the guys from Ereb Altor. I had toured with them 10 or 15 years ago, but back then we hardly spoke much. This time, playing with them again, I’ve really gotten to know them and was amazed by the chemistry that emerged between us. They are wonderful people, and the moments we’ve shared in just two days have been absolutely splendid.

From rehearsing together before the show—feeling like we’d been playing together for years—to having deep conversations and sharing food, drinks, and music around a table, it’s been an experience that’s filled me with life and energy.
The most incredible thing has been seeing how these guys can connect with so many people around them. I saw all kinds of folks, some well-known, some not at all, singing along and vibing with the music, even if it was in another language.

It’s been a very important reunion, especially since I hadn’t seen some of these people in so long, and sharing this moment in my own city—where it’s always a bit of a challenge for me to play—has been truly special. I’m a bit sad it’s over, but I know we’ll see each other again at 70,000 Tons of Metal in a month, and I’m already counting down the days.

So once again, thank you all for being there and for the support. It’s been a fantastic way to wrap up the year, although we still have one more performance next week. Cristina and I will play a couple of Aegrisomnia pieces at the Padre Soler School, where Sofía studies cello.
A big hug to everyone!

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DHG INTERSTELLAR HORIZONS EUROPE 2025

dødheimsgard, live, tour

I’ll be touring with Dødheimsgard family this October doing guitars and choirs.

21 – Paris, Backstage by the Mill. FR
22 – Hamburg, Logo. DE
23 – Leipzig, Hellraiser. DE
24 – Essen, Turock. DE
25 – Weinheim, Cafe Central. DE
26 – Maastricht, Samhain Festival. NL

First show —> PARIS
https://www.facebook.com/events/1069346057923307
Tix –> https://tix.to/WinterSgard-Paris-2025

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Joining Ereb Altor as bass player in December

bass guitar, ereb altor, festival, live
On December 5th, I’ll be joining Ereb Altor (Viking Black Metal from Sweden) on stage in Madrid at Sala Revi Live.
Due to scheduling conflicts, Björn won’t be able to make it to this show, so I’ve been invited to handle the bass for this special occasion.
It’s an honor to step in and be part of the Ereb Altor family, even if just for one night.
Looking forward to this epic night — see you in Madrid!
🎟️ Tickets at: www.entradium.com
Ereb Altor

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Keltika Hispanna on stage this July 12th at the Tribus Festival

keltika hispanna, live

🎻 Exciting news!
I’ll be joining Keltika Hispanna on stage this July 12th at the Tribus Festival, a unique celebration of music, nature, and ancestral spirit.

The festival will take place across several beautiful villages in Burgos, Spain — Tubilla del Agua, San Felices del Rudrón, Sargentes, and one more location still to be confirmed — from July 11 to 13.

Expect an unforgettable weekend of rituals, concerts, and tribal energy in the heart of the Iberian wild.

More info and tickets: https://tribusdeliber.com/
See you there!

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Dødheimsgard Inferno and Roadburn shows

cristina r galvan, dødheimsgard, live, tour
I’m not usually the type to write these kinds of posts, but I feel I must.
Because I don’t want to seem like any of this has passed me by without meaning, or that I’m ungrateful for the beautiful things that have happened to me lately. Quite the opposite: I’m overflowing with gratitude and emotion, and I need to share it.
I’m still trembling after yesterday’s concert with DHG/Dødheimsgard Official at Roadburn Festival
Three days ago we performed in Oslo at INFERNO METAL FESTIVAL NORWAY and yesterday we brought last album «Black Medium Current» to life on one of the most breathtaking stages I’ve ever set foot on. The sound, the technical crew, the setting — everything was pure magic.
I had the immense privilege of singing backing vocals alongside my beloved Demonia Cristulcia , supporting and wrapping Yusaf Parvez voice, and playing the violin.
On stage, we stood as two flanks: the Spanish choral section on the left, and our wonderful Greek brothers on synths to the right: Pavel Ahouio and Vasily. There was an unspoken understanding between us, a beautiful complicity that transcended words and made the whole performance feel deeply connected and alive.
We spent long days rehearsing in Oslo: intense, beautiful, and soul-stirring sessions, not just musically, but personally. The conversations, the laughter, the silence, the mutual respect… those are memories I’ll carry with me forever.
Black Medium Current, although some may perceive it as a more accessible or straightforward album compared to what DHG has done before, is in fact an extremely complex and dark piece of work. It’s filled with raw, experiential nostalgia — a kind that feels real, lived, and haunting. I know from many people who truly connect with it that this is not an isolated feeling. Its depth is vast, layered like an onion — each listen reveals something new, like a plunge into the unknown. If you haven’t fully connected with it yet, I’d say: give it more time. It absolutely stands alongside DHG’s other albums in excellence, and perhaps even expands the emotional spectrum in ways that only become clear over time.
Together, we made many in the audience cry — and we cried too, overwhelmed by the emotional force of performing Black Medium Current in its entirety. Learning Norwegian to be part of this made the connection even deeper.
I want to thank every single person involved, and especially tag Yusaf Parvez and Cam for giving us the chance to feel useful, to show what we can do, and to be part of something greater than ourselves — a shared purpose: to stir hearts, bring tears, and remind people how powerful music can be.
And luckily… this is not the end. We continue next week in Barroselas, Portugal With full hearts, with all our energy and voices recovered,
and eyes still shining.
You can imagine a sentimental affection for the dying creatures of your childhood stories in Deemtee's experimental black metal landscape.
JVB
Scream Blast Repeat

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